作品データ
「スター・ウォーズ 帝国の逆襲」
        
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原題：STAR WARS: THE EMPIRE STRIKES BACK 原題：STAR WARS: Episode V THE EMPIRE STRIKES BACK 中題：帝國大反撃 製作年：1980年（特別編1996年） アメリカ劇場公開：1980年5月21日（特別篇1997年2月21日） 日本劇場公開：1980年6月28日（特別篇1997年7月5日） 上映時間：124分（特別篇129分）／デラックスカラー／パナビジョン／70ミリ／ドルビーSRD・DTS 製作・配給：20世紀ＦＯＸ（アメリカ） 全世界興行収入：歴代54位（$533,800,000） 全米興行収入：歴代33位（$290,158,751） 日本国内興行収入：歴代76位（54.4億円） 1980年洋画日本国内配給収入：1位 1980年度アカデミー賞 視覚効果特別功労賞、最優秀音響効果賞受賞 ディレクター・オブ・ザ・イヤー受賞 1981年度ヒューゴー賞 最優秀映像作品賞受賞 1981年度サターン・アワード 最優秀ＳＦ映画作品賞、監督賞（アービン・カーシュナー）特殊効果賞（ブライアン・ジョンソン、リチャード・エドランド）主演男優賞（マーク・ハミル）受賞 公式サイト(E)：www.starwars.com |
監督：アービン・カーシュナー
製作：ゲイリー・カーツ
（特別篇 製作：リック・マッカラム）
脚本：リー・ブラケット、ローレンス・カスダン
製作総指揮・ストーリー：ジョージ・ルーーカス
プロダクション・デザイン：ノーマン・レイノルズ
撮影：ピーター・シャシツキー
音楽：ジョン・ウイリアムズ
特殊視覚効果監督：ブライアン・ジョンソン、リチャード・エドランド
製作補佐：ロバート・ワッツ、ジェームス・ブルーム
デザインコンサルタント：ラルフ・マッカリー
美術：レスリー・デイリー、ハリー・ラング、アラン・トンプキンズ
セットデザイン：マイケル・フォード
メイクアップ、クリーチャーデザイン：スチュアート・フリーボーン
効果撮影監督：デニス・ミューレン
視覚効果美術：ジョー・ジョンストン
ストップモーションアニメ：ジョン・バーグ、フィル・ティペット
マット画監督：ハリソン・エレンショウ
■キャスト■
マーク・ハミル（ルーク・スカイウオーカー）
ハリソン・フォード（ハン・ソロ）
キャリー・フィッシャー（レイア・オーガナ姫）
ビリー・ディー・ウイリアムス（ランド・カルリシアン男爵）
アンソニー・ダニエルス（C-3PO）
フランク・オズ（ヨーダ）
デビッド・プラウズ（ダース・ベイダー）
ピーター・メイヒュー（チューバッカ）
ケニー・ベイカー（R2-D2）
アレック・ギネス（オビ・ワン・ケノビ）
ジェレミー・バロック（ボバ・フェット）
ジョン・ホーリス（ランドの副官）
ジャック・パーヴィス（アグノーツの指揮官）
デス・ウエッブ（スノークリーチャー）
クライブ・レヴィル（皇帝の声） 他
■宣伝コピー■
STAR WARSシリーズ第2弾！
［チラシＢ面全文データ］
■関連作品■
「スター・ウォーズ」(1977)
「スター・ウオーズ 帝国の逆襲」(1980)
「スター・ウオーズ ジェダイの復讐」(1983)
「スター・ウオーズ エピソード１ ファントム・メナス」(1999)
「スター・ウオーズ エピソード２ クローンの攻撃」(2002)
「スター・ウオーズ エピソード３ シスの復讐」(2005)
LUCAS FILM Ltd.
STAR WARS
Episode V : The Empire Strikes Back
Directed by Irvin Kershner
Produced by Gary Kurtz
Screenplay by Leigh Brackett and Lawrence Kasdan
Story : George Lucas
Executive Producer : George Lucas
Prodction Designer : Norman Reynolds
Director of Photography : Peter Suschitzky B.S.C.
Edited by Paul Hirsch
Special Visual Effects : Brian Johnson, Richard Edlund
Associate Producers : Robert Watts, James Bloom
Music by John Williams
Performed by the London Symphony Orchestra
Design and Consultant and Conceptual Artist : Ralph McQuarrie
Art Directors : Leslie Dilley, Harry Lang, Alan Tompkins
Set Decorator : Michael Ford
Construction Manager : Bill Welch
Assistant Art Directors : Michael Lamont, Fred Hole
Sketch Artist : Ivor Beddoes
Draftsmen : Ted Ambrose, Michael Boone, Reg Bream, Steve Cooper, Richard Dawking
Modellers : Fred Evans, Allan Moss, Jan Stevens
Chief Buyer : Edward Rodrigo
Construction Storeman : Dave Middleton
Operating Cameramen : Kelvin Pike, David Garfath
Assistant Cameramen : Maurice Arnold, Chris Tanner
Second Assistant Cameramen : Peter Robinson, Madelyn Most
Dolly Grips : Dennis Lewis, Brian Osborn
Matte Photography Consultant : Stanley Sayer, B.S.C.
Gaffer : Laurie Shane
Rigging Gaffer : John Clark
Linghting Equipment and Crew from Lee Electric
Make-up and Special Creature Design : Stuart Freeborn
Chief Make-up Artist : Graham Freeborn
Make-up Artist : Kay Freeborn, Nick Maley
Chief Hairdresser : Barbara Ritchie
Yoda Fabrication : Wendy Midener
Costume Designer : John Mollo
Wardrobe Supervisor : Tiny Nicholls
Wardrobe Mistress : Eileen Sullivan
Property Master : Frank Bruton
Property Supervisor : Charles Torbett
Property Dressing Supervisor : Joe Dipple
Head Carpenter : George Gunning
Head Plasterer : Bert Rodwell
Head Rigger : Red Lawrence
Sound Design and Supervising Sound Effects Editor : Ben Burtt
Sound Editors : Richard Burrow, Teresa Eckton, Bonnie Koehler
Production Sound : Peter Sutton
Sound Boom Operator : Don Wortham
Production Maintenance : Ron Butcher
Re-Recording : Bill Varney, Steve Maslow, Gregg Landaker
Music Recording : Eric Tomlinson
Orchestrations : Herbert W. Spencer
Supervising Music Editor : Kenneth Wannberg
Assistant Film Editors : Duwayne Dunham, Phil Sanderson, Barbara Ellis, Steve Starkey, Paul Tomlinson
Dialogue Editors : Curt Schulkey, Leslie Shatz, Joanne D'Antonio
Optical Coordinator : Roberta Friedman
Assistant Sound Editors : John Benson, Joanna Cappuccilli, Ken Fischer, Craig Jaeger, Nancy Jencks, Laurel Ladevich
Foley Editors : Robert Rutledge, Scott Hecker
Foley Assistants : Edward M. Steidele, John Roesh
Sound Effects Recording : Randy Thom
Recording Technicians : Gary Summers, Howie, Kevin O'Connell
Production Supervisor : Bruce Sharman
Assistant Production Manager : Patricia Carr
Production Coordinator : Miki Herman
First Assistant Director : David Tomblin
Second Assistant Directors : Steve Lanning, Roy Button
Location Mnager : Philip Kohler
Continuity : Kay Rawlings, Pamela Mann
Casting : Irene Lamb, Terry Liebling, Bob Edmiston
Assistant to Producer : Bunny Alsup
Assistant to Director : Debbie Shaw
Assistant to Executive Producer : Jane Bay
Production Assistants : Barbara Harley, Nick Laws, Charles Wessler
Stunt Coordinator : Peter Diamond
Stunt Doubles : Bob Anderson, Colin Skeaping
Production Accountant : Ron Phipps
Assistant Accountant : Michael Larkins
Set Cost Controller : Ken Gordon
Location Accountant : Ron Cook
Still Photographer : George Whitear
Unit Publicist : Alan Arnold
Assistant Publicist : Kirsten Wing
Studio Second Unit Directors : Harley Cokliss, John Barry
Director of Photography : Chris Menges
Assistant Director : Dominic Fulford
Second Assistant Director : Andrew Montgomery
Location Second Unit Director : Peter MacDonald
Director of Photography : Geoff Glover
Operating Cameramen : John Campbell, Mike Brewster
Second Assistant Cameramen : John Keen, Greg Dupre
Dolly Grip : Frank Batt
Production Manager : Svein Johansen
Assistant Directors : Bill Westley, Ola Solum
PRODUCTION AND MECHANICAL EFFECTS UNIT
Mechanical Effects Supervision : Nick Alder
Location Units Supervisor : Allan Bryce
Senior Effects Technicians : Neil Swan, Dave Watkins
Robot Fabrication and Supervision : Andrew Kelly, Ron Hone
Effects Technicians : Phil Knowles, Barry Whitrod, Martin Gant, Brian Eke, Guy Hudson, Dennis Lowe
Effects Engineering : Roger Nicholls, Steve Lloyd
Electrical Engineer : John Hatt
Electronics Consultant : Rob Dickson
Model Construction : John Pakenham
Effects Assistants : Alan Poole, Digby Milner, Robert McLaren
Effects Secretary : Gill Case
MINITURE AND OPTICAL EFFECTS UNIT
Effects Director of Photography : Dennis Muren
Effects Cameramen : Ken Ralston, Jim Veilleux
Camera Operators : Don Dow, Bill Neil
Assistant Cameramen : Selwyn Eddy, Jody Westheimer, Rick Fichter, Clint Palmer, Michael McAlister, Paul Huston, Richard Fish, Chris Anderson
Optical Photography Supervisor : Bruce Nicholson
Optical Printer Operators : David Berry, Kenneth Smith, Donald Clark
Art Director Visual Effects : Joe Johnston
Assistant Art Director : Nilo Rodis-Jamero
Stop Motion Animation : Jon Berg, Phil Tippett
Stop Motion Technicians : Tom St. Amand, Doug Beswck
Matte Painting Supervisor : Harrison Ellenshaw
Matte Artists : Ralph McQuarrie, Michael Pangrazio
Matte Photography : Neil Krepela
Additional Matte Photography : Michael Lawler
Matte Photography Assistants : Craig Barron, Robert Elswit
Chief Model Maker : Lorne Peterson
Model Shop Foreman : Steve Gawley
Model Makers : Paul Huston, Tom Rudduck, Michael Fulmer, Smauel Zolltheis, Charles Bailey, Ease Owyeung, Scott Marshall, Marc Thorpe, Wesley Seeds, Dave Carson, Rob Gemmel, Pat McClung
Animation and Rotoscope Supervisor : Peter Kuran
Animators : Samuel Comstock, Garry Waller, John Van Vliet, Rick Taylor, Kim Knowlton, Chris Casady, Nina Saxon, Diana Wilson
Visual Effects Editional Supervisor : Conrad Buff
Effects Editor : Michael Kelly
Assistant Effects Editors : Arthur Repola, Howard Stein
Apprentice Editor : Jon Thaler
Production Administrator : Dick Gallegly
Production Secreatry : Patricia Blau
Production Associate : Thomas Brown
Production Accountant : Ray Scalice
Assistant Accountants : Glenn Phillips, Pam Traas, Laura Crockett
Production Assistant : Jenny Oznowicz
Transportation : Robert Martin
Still Photographer : Terry Chostner
Lab Assistant : Roberto McGrath
Electronics Systems Designer : Jerry Jeffress
Systems Programming : Kris Brown
Electronic Engineers : Lhary Meyer, Mike MacKenzie, Gary Leo
Special Project Coordinator : Stuart Ziff
Equipment Engineering Supervisor : Gene Whiteman
Design Engineer : Mike Bolles
Machinists : Udo Pampel, Greg Beaumonte
Draftsman : Ed Tennler
Special Projects : Gary Platek
Supervising Stage Technician : T. E. Moehnke
Stage Technicians : William Beck, Bobby Finley, Leo Loverro, Edward Hirsh, Dick Dova, Ed Breed
Miniture Pyrotechnics : Joseph Viskocil, Dave Pier, Thaine Morris
Optical Printer Component Manufacture : George Randle Co.
Camera and Movement Design : Jim Beaumonte
Special Optics Designer : David Grafton
Special Optics Fabrication : J. L. WOOD OPTICAL SYSTEMS
Optical Printer Component Engineering : FRIES ENGINEERING
High Speed Camera Movements : MITCHEL CAMERA CORP.
Ultra High Speed Camera : BRUCE HILL PRODUCTIONS
Color Timer : Ed Lemke
Negative Cutting : Robert Hart, Darrell Hixson
Dolby Consultant : Don Digirolamo
Additional Optical Effects
VAN DER VEER PHOTO EFFECTS
MODERN FILM EFFECTS
RAY MERCER & COMPANY
WESTHEIMER COMPANY
LOOKOUT MOUNTAIN FILMS
Aerial Camera System by Wesscam Camera Systems(Europe).
Aerial Cameraman : Ron Goodman
Assistant : Margaret Herron
Helicopter Supplied by Dollar Air Services Limited.
Pilot : Mark Wolfe
Cloud Plates Photographed with Astrovisionｩ by Continental Camera Systemc Inc.
Snow Vehicles Supplied by Aktiv Fischer.
R2 Bodies Fabricated by White Horse Toy Company.
Special Assistance from Giltspur Engineering and Compair.
Photographed on the Hardangerjokulen Glacier, Finse, Norway.
and at EMI-Elstree Studios, Borehamwood, England.
Music Recorded at Anvil Studios, Denham, England.
Re-Recording at Samuel Goldwyn Studios, Los Angeles, California.
Filmed in Pnavisionｩ
Color by Rank Film Laboratoriesｩ
Prints by Deluxeｩ
Recorded in DOLBY STEREOｪ
Special Visual Effects Produced at Industrial Light and Magic, Martin County, California.
Visual Effects Filmed in VistaVisionｩ Lenses by Nikonｩ
ORIGINAL SOUNDTRACK ON RSO RECORDS.
NOVELIZATION FROM BALLANTINE BOOKS.
A Lucasfilm Ltd.
Production A Twentieth Century-Fox Release
Cast
Mark Hamill (Luke Skywalker)
Harrison Ford (Han Solo)
Carrie Fisher (Princess Leia)
Bille Dee Williams (Lando Calrissian)
Anthony Daniels (C3PO)
David Prowse (Darth Vader)
Peter Mayhew (Chewbacca)
Kenny Baker (R2-D2)
Frank Oz (Yoda)
Alec Guinness (Ben Kenobi)
Jeremy Bulloch (Boba Fett)
John Hollis (Lando's Aide)
Jack Purvis (Cheif Ugnaught)
Des Webb (Snow Creature)
Kathryn Mullen (Performing Assistant for Yoda)
Clive Revill (Voice of Emperor)
IMPERIAL FORCES
Kenneth Colley (Admiral Piett)
Julian Glover (General Veers)
Michael Sheard (Admiral Ozzel)
Michael Culver (Captain Needa)
John Dicks, Milton Johns, Mark Jones, Oliver Maguire, Robin Scobey (Other Officers)
REVEL FORCES
Bruce Boa (General Rieekan)
Christopher Malcom (Zev/Rogue 2)
Dennis Lawson (Wedge/Rogue 3)
Richard Oldfield (Hobbie/Rogue 4)
John Morton (Dak/Luke's Gunner)
Ian Liston (Janson/Wedge's Gunner)
John Ratzenberger (Major Derlin)
Jack McKenzie (Deck Lieutenant)
Jerry Harte (Head Controller)
Norman Chancer, Norwick Duff, Ray Hassett, Brigitte Kahn, Burnell Tucker (Other Officers)
SPECIAL EDITION
Producer : Rick McCallum
Editor : T. M. Christopher
Sound Designer : Ben Burst
Re-recording Mixer : Gary Summers
First Assistant Editor : Robert Marty
Assistant Editor : Samuel Hinchley
Assistant Arld Editors : Mike Jackson, Robin Lee
Sound Editor : Teresa Eckton
Assistant Sound Editor : Lisa Storer
Re-recordist : Ronald G. Roumas
Digital Mic Technician : Gary A. Rizzo
Archhist : Tim Fox
Optical Supervisors : Phillip Feiner, Chris Bushman
Film Restoration Supervisor : Pete Comandini
Color Timer : Robert J. Raring
Negative Continuity : Ray Sabo
Negative Cutter : Bob Hart
Production Controller : Kathryn Farrar
Post Production Executive : Ted Gaguano
Special Edition Digital Remastering Provided by
SKYWALKER SOUND a Lucas Digital Ltd. Company
De hies Processing by CEDAR DH-1. HHB COMMUNICATIONS. INC
Film Restoration Consultant : Leon Briggs
Optical Restoration : PACIFIC TITLE
Film Restoration by YCM LABORATORIES
INDUSTRIAL LIGHT AND MAGIC
Visual Effects Producer : Tom Kennedy
Visual Effects Supervisor : Dave Carson
Computer Graphics Supervisor : Tom Hutchinson
Visual Effects Art Director : George Hull
Visual Effects Editor : Michael McGovern
Color Timing Supervisor : Bruce Vecchitto
Visual Effects Coordinator : Lisa Todd
Digital Effects Artists : Don Butler, Michael Conte, Howard Geren, Marshall Krasser, Tia Marshall, Stuart Maschwitz, Terrence Masson, Julie Neare, Ken Nielsen, Eddie Pasquarello, Richardo Ramos, Tom Rosseter, Lawrence Tan, Paul Theren, Hans Uhlig, Lihsein Way, Ken Wesley, Ron Woodall
Digital Matte Artists : Ronn Brown, Eric Chauvin, Brian Flora, Whilliam Mather
3D Matte Artist : James Hagedorn
Digital Paint & Roto Artists : Lisa Drostova, Heidi Zabit
Chief Creature Maker : Howie Weed
Model & Creature Makers : Carol Bauman, Don Dies, Giovanni Donovan, Wendy Morton, Anne Polland, Mark Siegel, Steven Walton
Sabre Group Supervisor : Daniel McNamara
Sabre Artists : Rita Zimmerman, Chao Taylor, Mary McCileoch, Grant Guenin, Caitlin Content
Reserch and Development : David Benson, Jim Nourthan, Zoran Magic Alesic, Lorsan Mainz, Jeff Vost
Digital Scanning Supervisor : Joshua Pines
Digital Scanning Operators : Randall Bean, Michael Ellis, Earl Beyer
Negative Supervisor : Doug Jones
Negative Line-up : Andrea Binlian, Tim Geideman
Projectionist : Tim Greenwood
Digital Plate Restoration : Mellissa Monterrosa, Mike Van EPS, Wendy Hendrickson
Visual Effects Art Director : Alex Laurant
Assistant Visual Effects Editor : John Bartle
Video Editor : Angela Leaper
Animatic Artist : Jonathan Rothbart
Effects Technical Assistants : Okan Ataman, Peter Chesloff, Joshua Levine, Dawn Matheson, Daniel Shumaker
Effects Resource Assistant : Daniel Brimer
Visual Effects Production Staff : Julie Creighton, Joshua Marks
Video Assistants : Dawn Martin, Wendy Bess
Production Engineering : Ken Beyer, Ken Corvino, Gary Meyer
Effects Produced at Industrial Light and Magic. Martin County Carifornia